Author Archive

Big Bad Bun | Kid Books | Jeanne Willis | Moss Green Children’s Books

Tuesday, March 16th, 2010

Big Bad Bun is a Kid’s book with a difference. It is seldom that Rabbits are associated with the world that Big Bad Bun lives in. It is certainly Bad. I did not enjoy reading the description of the Bun’s Bad

Big Bad Bun By Jeanne Willis

Big Bad Bun By Jeanne Willis

world in this children’s book.

Big Bad Bun writes a letter to his parents to tell them he has run away from home. He has chosen to live with his new best friends who live at the “Dump in Devil’s Dyke.”

“They call themselves
The Hell Bunnies
But that is nothing
To what they call
Me. They call me
BIG BAD BUN”

Big Bad Bun gets to up all of the activities that you would expect a Bad Bun to get up to, plus some unexpected extras.

I began to wonder as I read the Kid books where the Big Bad Bun story was going to lead to. The life of Big Bad Bun became more intense and heavier following on from the fight with weasel crew.

Jeanne Willis who is the author of this kid books creates a feeling of desperation in the reader as more of Big Bad Bun’s life is revealed. Fortunately, there is a dramatic and totally unexpected switch in the story which makes this children’s book.

Big Bad Bun has a sense of humour that saves the day and makes the ending of this children’s book enjoyable and memorable. It is Not a Green Children’s Book

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Sally Prue Interview | Wheels of War | Moss Green Children’s Books

Thursday, March 11th, 2010

Author: Sally Prue

Author: Sally Prue

Would you please tell us about the inspiration and creative process behind your most recent publication?

I don’t generally get flashes of inspiration, it’s more a matter of making connections.
With WHEELS OF WAR, I was wondering about how people manage to carry on with their lives even though they are at the mercy of huge outside forces, as happens in wartime. I chose to set the book in the early 1800s because I read Jane Austen a lot, which I thought would be a help (but it wasn’t, really, except with the dialogue). Learning about the invention of the kaleidoscope led to some interesting ideas about what people notice – and, also, about what they refuse to see.
The rest was all about following my characters and describing their stories as vividly as I possibly could. Trial and error, really.
I did make a detailed plan, but, as always, it turned out not to work. For instance, after my ‘final’ draft I went back and cut out the hero and heroine. Whoops.
The thing is, my books are all explorations; and of course the point about exploring is that you never know where you’re going to end up. That’s the excitement of it – and, also of course, the danger.

Wheels of War by Sally Prue

Wheels of War by Sally Prue


What inspired you to start writing children’s books?

Being poor.
Believing that children are much more interesting than grown ups, because children are always turning into something else, while most grown ups are stuck as they are.

How do you get into the mind of a child in order to write in a way they can relate to?

Oh, I wouldn’t ever try to do that. I just follow my characters around and let them show me things. Clarity is the sign that I’ve got the writing right.

What do you know now that you wish you’d known when you started writing children’s books?

Actually, I rather think that ignorance was bliss.

What are your views about Electronic Book Readers?

I should imagine they’re like MP3 players – all right for a bit of background entertainment, but not for anything you’d want to treasure.
Having said that, I don’t believe anyone who claims to tell the future unless they’ve won the lottery three times in a row.
So I’m sorry, I haven’t a clue.

For a parent who has a child only interested in watching TV what advice would you give them to interest their child in reading books?

Go to your local library and let them choose anything they like. Enjoy it together, even if it’s about giant diggers in underpants.
Come to think about it, though, reading is rarely an interest – it’s more usually a means of being interested. I think that’s an important distinction.

How would you involve and educate kids about green issues?

Feed the birds, go for walks, look at stuff, ENJOY.

Would you please tell us about your causes or charities you are involved with?

The Hertfordshire and Essex Wildlife Trust (and lots of other conservation charities).
HOPE for Children, which is a charity founded by a neighbour which helps children all round the world, particularly in developing countries.

What are your dreams?

To write very well indeed, and to see my family very happy. I like handbags, too.

Would you tell us a little about you are working on now?

A book linked to COLD TOM called ICE MAIDEN. It’s set in 1939, and is about a German boy who comes to England and discovers someone invisible and dangerous living on the common near his house.

What were your favourite childhood books and why?

THE LION THE WITCH AND THE WARDROBE, because it allowed me to escape from my very dull and rather unhappy childhood.
THE LAND OF GREEN GINGER because the words exploded like fireworks and made me laugh and laugh.

How do you keep in touch with your audience?

I love visiting schools and libraries and festivals. More information about visits can be found at www.sallyprue.co.uk.

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Maggi Gibson Interview | Saving the World | Moss Green Childrens Books

Wednesday, March 10th, 2010
Author: Maggi Gibson

Author: Maggi Gibson

Would you please tell us about the inspiration and creative process behind Seriously Sassy wanting to save the world?

Well, I would like to save the world, but I know I can’t. Not on my own, anyway. But one way I believe I can make a difference is to write about a girl who cares passionately about serious issues like global warming and children working in sweatshop conditions in third world countries and cruelty to animals, but is also living through all the usual teen dramas – and having a lot of fun along the way.
In writing about Sassy I’m tapping into something deep inside myself, the passionate idealist in me, the same one I was when I was thirteen.


What inspired you to start writing children’s books?

I loved reading when I was young. I used to devour books. I even burned a boiled egg once I was so engrossed in a story. So I thought it would be wonderful to try to create some books that would give young readers today as much pleasure.


How do you get into the mind of a child in order to write in a way they can relate to?

When I was 13 my parents wouldn’t let me go to a party all my friends were going to. I desperately wanted to go, and once I’d stomped off to my room and  stopped sobbing my heart out, I wrote a letter

Seriously Sassy Pinch me, I'm Dreaming by Maggi Gibson

Seriously Sassy Pinch me, I'm Dreaming by Maggi Gibson

to myself making a SOLEMN PROMISE that I would NEVER EVER forget what that hurt and pain felt like and would NEVER EVER be so horrible and insensitive to my children. All I have to do is think back to that moment and I’m right inside Sassy’s thirteen year old head.

What do you know now that you wish you’d known when you started writing children’s books?

I really don’t know! You write each book because that’s the book you have to write at that point in your life. You’re always learning. Always making mistakes. Always thinking I won’t make that mistake again. Then, whoops, you make a different one instead.

What advice would you give someone who is thinking of becoming an author?

Read lots of books. All different kinds. Work out what kind of stories you like best – that’s the kind of story you should be writing. Try writing like your fave author. Don’t worry, you’ll soon develop your own distinctive voice.

For a parent who has a child only interested in watching TV what advice would you give them to interest their child in reading books?

If children see their parent reading it will make the child feel it’s a grown up thing to do. Don’t assume though that what you loved as a youngster will interest them! My own son never read fiction as a child, but loved factual books. One daughter devoured The Famous Five, the other wasn’t much of a reader, but now reads lots. Keep the pressure off, don’t be judgemental about what they want to read, make books available. And if all else fails, read their book and look like you’re loving it!

How would you persuade kids that green issues are important?

I think kids know this! It’s the grown-ups that are the problem. Though for the kids that don’t, I’d like to think that the Seriously Sassy books do a pretty good job of raising awareness with a lot of laughs along the way.

Seriously Sassy by Maggi Gibson

Seriously Sassy by Maggi Gibson

Would you please tell us about your causes or any charities you are involved with?

I find writing pretty time-consuming, so these days it’s through my writing I try to make a difference. Like Sassy I care about all sorts of things – green issues, social justice, cruelty to animals, needless

wars. I tend to get involved where and when I get the opportunity. This spring I’m judging a kids’ writing competition for Unicef as part of their ‘Put It Right’ campaign.

What are your dreams?

I just wish that every child could have a happy childhood. You know, not have to worry about the things the grown-ups should be taking care of for them. For myself, I would love, of course, to write lots moe Seriously Sassy books. I’d be happy to keep writing for children until I pop my little old clogs.

Would you tell us if there are any future plans for Seriously Sassy?

I hope there are going to be lots more books in the series! In the third book, Crazy Days (July 2010), Sassy and her friends decide to fundraise to help people in an earthquake. But it turns out not to be as

Seriously Sassy, Crazy Days by Maggi Gibson

Seriously Sassy, Crazy Days by Maggi Gibson

easy as they’d hoped. I’ve started a fourth book, which involves beached whales, and of course, the next stage in Sassy’s singing career.

What were your favourite childhood books and why?

I loved lots of books, but only owned about two. My faves were Little Women, What Katy Did and Heidi. When I was about 11 or 12 I read King Solomon’s Mines and was totally entranced by it. I also loved Jack London’s Wolf Fang. The book I would love to have read as a child but never came across is Anne of Green Gables. I read it last year and fell in love with Anne, who, I suspect, is Sassy’s great- great grandmother!

How do you keep in touch with your audience?

I do as many events and school visits as I can. I love going into schools and libraries and meeting readers. The Seriously Sassy series has its own website too, www.seriouslysassy.co.uk. When readers join the Sassy Gang they receive updates and newsletters as well as getting the chance to enter Sassy’s competitions and have their song lyrics published on Sassy’s Online Music Studio. I receive lots of emails from readers all over the world and I answer them all personally. If you want to book me for an event, please email me on maggigibson@gmail.com – I’d love to hear from you!

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World Book Day in UK but Globally Millions can Not Read

Thursday, March 4th, 2010

World Book Day is celebrated in the UK and Ireland on Thursday 4th of March.

Books and the ability to read is part of our every day lives but this is not the situation in so many other parts of the world. These figures may surprise you.

Male Literacy  2000 - 2003

Male Literacy 2000 - 2003

Female Literacy 2000 - 2003

Female Literacy 2000 - 2003

Source: The CIA World fact books:

Almost one in ten females in Afghanistan can not read and one in three men in Burkina Faso can not read.

These figures indicate that all is well in the USA and the UK but there is no reason to be complacent in either country.

The Education Department in the USA estimates that 32 million  are illiterate. That is to say that the instructions on a bottle of pills can not be read.

At the same time, in the UK, the Public Accounts Committee holds the view that an unacceptable number of people in the UK can not read and write.

Some of these countries are so poor that they can not afford education. With out education they will continue to be poor.

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Hey What’s that Nasty Whiff? |Kid Story Book |Moss Green Children Book

Tuesday, March 2nd, 2010

Hey! What’s that Nasty Whiff? has a very creative, original and entertaining way of approaching  the subject of recycling.

Hey! What's that Nasty Whiff   by Julia Jarman

Hey! What's that Nasty Whiff by Julia Jarman

Julia Jarman in Hey! What’s that Nasty Whiff? has cleverly integrated original true facts into this children’s story book about two of nature’s great recyclers.

Out in the wild the Hyena and the vulture both have a truly admirable role in eating up all of the waste meat that has been left over from the kills by other carnivores. Everything, without exception, is eaten up by these two creatures

In this children’s story book a degree of licence is taken in the illustrations of the Hyena role. Nevertheless, the point is clearly made about the cleaning up and recycling role that the Hyena performs on the Savannah.

The animals that Garry Parsons created in the illustrations are very expressive. I love the look on the face of the Wildebeest with the bird sitting on his horn. Also, see if you can spot the mouse looking across the plains.

I do not get excited thinking about recycling. Nevertheless, a mundane subject with creativity and original thinking has in this children’s story been made to be entertaining and involving.

This children’s story book is evaluated as All Green. Besides achieving the highest green rating,  Hey! What’s that Nasty Whiff is a fun and entertaining children’s story book which will entertain your audience.

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Richard Leighton Interview | We Create | Social Enterprise

Monday, March 1st, 2010
We-Create Logo

We-Create Logo

Can you please tell me a little bit about yourself and your Social Enterprise?

Graduate in Fashion Design Management from the University of Leeds, Fashion from Birmingham Institute of Art and Design (UCE), Fellow from the School for Social Entrepreneurs – London, student in Social Enterprise Coventry University.  Away from academic commitments approached and developed projects for The Big Issue, Oxfam, Salvation Army, and the Homeless World Cup.

Run a social enterprise called We Create* – a Training and Design Management agency that offers young people from around the Midlands the opportunity to gain access to qualifications and commercial experience in Fashion Design.

We Create* was set up with small grants from UnLtd* and the Prince’s Trust.  The organisation funds it running and development by retailing the designs its participants create in its shop based on Corporation Street in Birmingham city centre.

We Create* services’s

- We Create* runs a shop in Birmingham city centre, on Corporation Street, that retails fashion labels designed by local young designers.  The shop also retails designs developed by participants on We Create*’s 12-week Fashion Design and its Commercial Development courses.

The organisation aims to open an incubation unit in the city centre from where local young designers can retail their designs, and run their businesses with access to commercial equipment and facilities.

We Create*’s surplus capital from its retail operations is invested in running:

- a free fashion-based Business Help and Support Service for people who want to set-up a fashion label, who are setting up a label, or are already running a around Birmingham.

- a 12-week Fashion Design and its Commercial Development course for people who want to learn all the processes involved in the Design, Production, Promotion, and Retail of fashion-based products.  No qualifications or experience required.

- projects in partnership with organisations like the Youth Offending Service (YOS), HMS Prison Service, Social Enterprises, and Charities connected with helping individuals from disadvantaged and socially excluded backgrounds to offer them the opportunity to gain access to qualifications and commercial experience in Fashion Design.

Once We Create* has developed its sustainable model and services in Birmingham it will replicate the platform across the United Kingdom and Internationally.  (Please find attached an info sheet on We Create*)

What makes your social enterprise a success?

We Create* has proven there is an overwhelming demand from young people/designers for We Create*’s services and the orgainsations runs these at a profit without additional funding.

 

What are the big challenges that your enterprise faces?

Finding the capital to help scale up the model’s success and profitability so it can help more young people/designers regionally – then finding the funding to replicate the model nationally

In your current role what significant learnings have you had?

I’ve met with lots of business support oraganisations and you pretty much have to do everything yourself regardless – it’s difficult to get the practical help and support you need…you’re better off just getting your head down and getting on with what you need to do to develop the organisation.  Ignore the help and support on offer because invariably it won’t offer the practical help and support you need, waste time, and frustrate you.


What advice would you give to a social entrepreneur starting out?

Go study at the School for Social Entrepreneurs http:www.sse.org.uk – the course, organisation, and students are great!

The only funding easily available to you is off UnLtd* – Level One http://www.unltd.org.uk/template.php?ID=10&PageName=level1_examples, the Prince’s Trust – Community Cash Award http://www.princes-trust.org.uk/need_help/grants/community_cash_awards.aspx, and Vinspired – Vcashpoint http://www.vinspired.com/opportunities/vcashpoint/.

All other funding takes time and experience to get so the funding goes to orgaisnations that have the time and experience to fill out he lengthy forms.  UnLtd*, Prince’s Trust, and Vinspired grants are more than enough to start out with on a small scale.

What creative idea do you have, that does not cost a bucket of money, which would kick start the social enterprise business model?

I had an idea to get a free shop off a local council to scale up We Create* in and have managed to get one.  The new We Create* shop and incubation space will retail local designers work and offer access to space and equipment to design in – it opens in January.  The new shop and additional space will also allow We Create* to deliver fashion-based workshops, courses, and community projects in as well.

I have lots of creative ideas that don’t cost a bucket loads as We Create* has little money…the problem is if you don’t have money things can take a long time to sort – it’ll have taken 10 months to get a free shop by the time it opens.  We Create*’s exiting shop was set up with a £480 grant from the Prince’s Trust so things can be done cheaply or for free if you’re entrepreneurial and can afford the time.


What was your favourite book as a child?

Charlie and the Chocolate Factory and pretty much anything by Roald Dahl

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Grow Organic Eat Organic | Green Kid’s Book | Moss Green Children Book

Sunday, February 28th, 2010

Grow Organic Eat Organic is a comprehensive kid’s book on how to be an organic Gardener which was written by Lone Morton. The

Grow Organic Eat Organic by Lone Morton

Grow Organic Eat Organic by Lone Morton

author’s interest and love for the subject comes through in the illustrations and in how the subject is treated…

Grow Organic is not just a book about being an organic gardening and eating organic food but much more. Firstly, it assumes that reader is not an expert on being a gardener or an organic gardener and takes the reader slowly through the subject. The first chapter covers What does organic mean and then goes onto outlining the tools that you will need to have to garden. All the steps are covered.

I would be surprised, if the non expert adult did not find some interesting facts in this kid’s book which did not astonish them. For example:

“Did you know that a lettuce may have been sprayed with up to 11 pesticides by the time you eat it?”

“It is not possible to wash off all the chemicals used in conventional farming. They often become part of the cell structure of the fruit and vegetable?”

As you would expect in a kid’s book about Growing Organic there is a chapter about making compost and making a wormery. As any organic gardener would expect there is also a chapter on Garden Pests and Garden Friends. This is a fundamental element of Organic Gardening.

Grow Organic Eat Organic is without doubt an All Green Kid’s book which will be a very good guide to interest your children and help them  become organic gardeners.

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Jamie Wallace | Founder: Walkit | Social Enterprise

Saturday, February 27th, 2010

Can you please tell me a little bit about yourself and your Social Enterprise?

Jamie Wallace on Hungerford Bridge

Jamie Wallace on Hungerford Bridge

walkit.com is the urban walking route planner.  I set it up to help people make greener and healthier choices when needing to take short trips around town.

What makes your social enterprise a success?

We found a gap in the market, and it aligned nicely with some quite acute concerns people have about modern society – climate change, poor air quality and unhealthy lifestyles.

What are the big challenges that your enterprise faces?

Money and profile!  Always a challenge to keep the former coming in, and attract the latter when you’re quite a small fish in a big big pond.

In your current role what significant learnings have you had?

Plan.  Keep your eye on the horizon and try and anticipate the challenges coming up.  That said, don’t necessarily despair if you think someone’s trying to compete with you – it can be healthy, and makes you concentrate on what’s special about what you do.

Walkit.com

Walkit.com

What advice would you give to a social entrepreneur starting out?

You’ll need bags of tenacity and belief.  If you have it, then go for it – jump straight in!  Really commit – if you don’t, you’ll never be quite sure which was lacking, the idea, or your commitment.

What creative idea do you have, that does not cost a bucket of money, which        would kick start the social enterprise business model?

More ‘patient’ capital from government for high risk ideas.

What was your favourite book as a child?

I remember crying over Jennie, by Paul Gallico, but have not read it since.  I shall try and get hold of a copy!

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Julie Harris Interview Chief Exec Cosmic: ICT Services

Thursday, February 25th, 2010

Can you please tell me a little bit about yourself and  your Social Enterprise?

Julie Harris

Julie Harris

I am Julie Harris, Chief Exec at COSMIC which is a social enterprise offering ICT services and support to individuals, businesses and organisations. Our work is mainly in the South West, but we do some work in other regions, and our social objectives are concerned with providing people and organisations with the skills, services and support they need to make the most of ICT to improve lives, prosperity and environment. More recently we have started a new service which is providing leaders of other social enterprises with support and training to progress and be successful. I’m also Chair of RISE which is the regional body looking after the interests of social enterprises in the South West, and I’m a Social Enterprise Ambassador working with schools, business networks and others generally trying to improve understanding of social enterprise as a great career choice and a great choice for services and products too.

What makes your social enterprise a  success?

The key to our success at COSMIC is people – fantastic skills, passion for our purpose and really great to work with. The team around provides inspiration and support to so many others, and the people we work with are often inspirational because we focus on those with a wide range of social settings and working contexts. Often people think our business is all about computers, but its the people which make us truly successful – computers are our tool for making the world a better place.

What are the big challenges that your enterprise  faces?

I love challenges and so its always exciting to know that there are more out there for us! I think the biggest right now is how we support people to understand make more of ICT and use digital

Cosmic Logo

Cosmic Logo

engagement to improve their lives. There are still around one third of people in the UK who are not online or using computers in any way, and whilst many of them chose not to engage, there are still lots of people for whom engagement would mean better communication, support and access to real benefits such as saving money, being able to learn remotely or making new friends.

In your current role what significant learnings have you had?

I’ve never stopped learning, and I never want to stop learning either. Its such a vital part of being successful and I learn in some many different ways – speaking and listening to other people, reading and researching online (of course!). But I know that the best learning I’ve had has come from direct experiences, and often from times when things don’t go as planned. Over the years my biggest learning has been about how to engage people and support them to become the best they can be, and I’m still learning all the time about this one. Again, this is at the heart of my work and our success and so I’m always looking for opportunities to learn more.

What advice would you give to a social entrepreneur  starting out?

Be brave! Its a very big step to take a decision and go for it – but until you try something you really don’t start to learn and progress. Taking risks are a key part of business, and as long as you’ve considered some of the possible outcomes from your decisions, then you’ll be ready. Also, have someone to support you. A good mentor is so important at all stages, but especially during these early days when you need confidence and motivation to keep going. Make your Mentor someone who isn’t directly linked to the business as they will be in a position to offer good and objective advice along the way.

What creative idea do you have, that does not cost a  bucket of money, which  would kick  start the social enterprise business model?

The new Social Enterprise Mark is the development which will take the business model forward. Through my work as Chair of RISE we’ve been working on its development in the South West for several years now and it will provide social enterprises across the UK (and internationally) with a new brand which will help consumers, partners and supporters to instantly recognise an organisation based on its social purpose, ethos and regular reporting.  I am very excited about this development and truly believe that it holds the key to putting social enterprise on a whole new footing to make it THE business model for the 21st Century.

What was your favourite book as a  child?

Oh, I’m so bad at these questions! … I read so much and did as a child … If I have to choose one it would be “Treasure Island” – I’ve always loved adventure and exploring and so this one lit my fire at an early age!

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Yesim Guzelpinar | Founder Balik Arts | Social Enterprise

Tuesday, February 23rd, 2010

Can you please tell me a little bit about yourself and your Social Enterprise?

Founder: Yesim Guzelpinar

Founder: Yesim Guzelpinar

I set up Balik Arts 10 years ago to work with mainly Turkish speaking children and young people providing arts, education and guidance activities. We have conducted joint projects with several organisations including Rio Cinema, where the London Turkish Film Festival started in 1990’s. Our young people’s films were shown at the shorts section of the festival. The director of the festival became freelance and approached Balik Arts to be a partner in organising the Festival not only at Rio and also other cinemas in 2008. This has been the second year of the partnership and we decided to set up the Festival as a separate entity. This is a great partnership for Balik Arts as it introduces its young people to the operations of the Festival and role models. Also, Balik Arts is going to start a children’s filmmaking project in 2010 called Kids in Motion. This has been aided by the Festival (LTFF) ie Turkan Soray, the diva of Turkish cinema, has taken part in a benefit dinner for this project during her participation at LTFF. LTFF generates income by ticket sales and corporate sponsorship, which helps its sustainability and running of new projects – of which Balik Arts is part.

What makes your social enterprise a success?

Partnership with a wealth of experience, knowledge, network, complementary activities and mutual trust. Very good links in all sections of the community.

What are the big challenges that your enterprise faces?

Securing funding and/or corporate sponsorship. Therefore financial burdens.

In your current role what significant learnings have you had?

Operations of the media sector particularly in Turkey. Experience in corporate fundraising.

As someone who has been living in the UK, I have been somewhat away from the developments. The Festival work has introduced me to professionals working in the media sector, particularly TV and cinema, some of whom are internationally acclaimed. I have also become more familiar with the Turkish cinema. I have gained first hand experience in organising a film festival. I have worked with voluntary, private and statutory organisations and individuals not only in Turkey and UK but also in other countries for various aspects of the festival.

I have recruited new volunteers both for the work of the festival and Balik Arts, and realised once again that arts, particularly film, is such a strong medium that can connect people together from different backgrounds. This work as a whole presents such opportunities for various sections of the community such as gaining new skills through informal learning, work experience and the sheer social network. It has and will provide paid and unpaid positions for several people. Children will also have a lot to learn through their Kids in Motion project and will hopefully see their finished product (film) amongst next year’s screenings. This is going to be great for their self confidence, aspirations and social skills.

Another lesson learned is to be organised and try to get funding sorted early. The climate is very difficult and it is so hard to secure grants and corporate finance. We will just have to generate income long before the festival, and are looking into various options such as year-long film distribution, shooting tv/screen ads, organising charity events.

What advice would you give to a social entrepreneur starting out?

Be brave, do your homework and keep learning.

What creative idea do you have, that does not cost a bucket of money, which would kick start the social enterprise business  model?

Create a mutually beneficial partnership with a supportive company. Ie in-kind help from the company in return for visibility in our activities. Another example is us shooting a screen advert for companies, which we already did this year. Their ad was on-screen during the festival and we made money.

What was your favourite book as a child.

Pollyanna

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