Posts Tagged ‘interview’

Richard Leighton Interview | We Create | Social Enterprise

Monday, March 1st, 2010
We-Create Logo

We-Create Logo

Can you please tell me a little bit about yourself and your Social Enterprise?

Graduate in Fashion Design Management from the University of Leeds, Fashion from Birmingham Institute of Art and Design (UCE), Fellow from the School for Social Entrepreneurs – London, student in Social Enterprise Coventry University.  Away from academic commitments approached and developed projects for The Big Issue, Oxfam, Salvation Army, and the Homeless World Cup.

Run a social enterprise called We Create* – a Training and Design Management agency that offers young people from around the Midlands the opportunity to gain access to qualifications and commercial experience in Fashion Design.

We Create* was set up with small grants from UnLtd* and the Prince’s Trust.  The organisation funds it running and development by retailing the designs its participants create in its shop based on Corporation Street in Birmingham city centre.

We Create* services’s

- We Create* runs a shop in Birmingham city centre, on Corporation Street, that retails fashion labels designed by local young designers.  The shop also retails designs developed by participants on We Create*’s 12-week Fashion Design and its Commercial Development courses.

The organisation aims to open an incubation unit in the city centre from where local young designers can retail their designs, and run their businesses with access to commercial equipment and facilities.

We Create*’s surplus capital from its retail operations is invested in running:

- a free fashion-based Business Help and Support Service for people who want to set-up a fashion label, who are setting up a label, or are already running a around Birmingham.

- a 12-week Fashion Design and its Commercial Development course for people who want to learn all the processes involved in the Design, Production, Promotion, and Retail of fashion-based products.  No qualifications or experience required.

- projects in partnership with organisations like the Youth Offending Service (YOS), HMS Prison Service, Social Enterprises, and Charities connected with helping individuals from disadvantaged and socially excluded backgrounds to offer them the opportunity to gain access to qualifications and commercial experience in Fashion Design.

Once We Create* has developed its sustainable model and services in Birmingham it will replicate the platform across the United Kingdom and Internationally.  (Please find attached an info sheet on We Create*)

What makes your social enterprise a success?

We Create* has proven there is an overwhelming demand from young people/designers for We Create*’s services and the orgainsations runs these at a profit without additional funding.

 

What are the big challenges that your enterprise faces?

Finding the capital to help scale up the model’s success and profitability so it can help more young people/designers regionally – then finding the funding to replicate the model nationally

In your current role what significant learnings have you had?

I’ve met with lots of business support oraganisations and you pretty much have to do everything yourself regardless – it’s difficult to get the practical help and support you need…you’re better off just getting your head down and getting on with what you need to do to develop the organisation.  Ignore the help and support on offer because invariably it won’t offer the practical help and support you need, waste time, and frustrate you.


What advice would you give to a social entrepreneur starting out?

Go study at the School for Social Entrepreneurs http:www.sse.org.uk – the course, organisation, and students are great!

The only funding easily available to you is off UnLtd* – Level One http://www.unltd.org.uk/template.php?ID=10&PageName=level1_examples, the Prince’s Trust – Community Cash Award http://www.princes-trust.org.uk/need_help/grants/community_cash_awards.aspx, and Vinspired – Vcashpoint http://www.vinspired.com/opportunities/vcashpoint/.

All other funding takes time and experience to get so the funding goes to orgaisnations that have the time and experience to fill out he lengthy forms.  UnLtd*, Prince’s Trust, and Vinspired grants are more than enough to start out with on a small scale.

What creative idea do you have, that does not cost a bucket of money, which would kick start the social enterprise business model?

I had an idea to get a free shop off a local council to scale up We Create* in and have managed to get one.  The new We Create* shop and incubation space will retail local designers work and offer access to space and equipment to design in – it opens in January.  The new shop and additional space will also allow We Create* to deliver fashion-based workshops, courses, and community projects in as well.

I have lots of creative ideas that don’t cost a bucket loads as We Create* has little money…the problem is if you don’t have money things can take a long time to sort – it’ll have taken 10 months to get a free shop by the time it opens.  We Create*’s exiting shop was set up with a £480 grant from the Prince’s Trust so things can be done cheaply or for free if you’re entrepreneurial and can afford the time.


What was your favourite book as a child?

Charlie and the Chocolate Factory and pretty much anything by Roald Dahl

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Social Enterprise Interview | Ben Mathews – Founder | Bright One

Monday, February 1st, 2010
Bright One Logo.

Bright One Logo.

Can you please tell me a little bit about yourself and your Social Enterprise?

Ben Mathews - Founder Bright One

Ben Mathews - Founder Bright One

I’m the founder of Bright One, a volunteer-run communications agency for the third sector. Our team is on hand to offer charities, social enterprises and other not-for-profit organisations affordable yet effective PR and communications campaigns. We help organisations get their messages heard and offer resources so they can focus on core activities.

What makes your social enterprise a success?

Without a doubt it’s the energy, commitment and dedication of our volunteers. We wouldn’t exist as an organisaiton without them and I’m constantly amazed by the fatastic work they do. In our first year, over 1,500 hours were donated by our volunteers – an amazing achievement.


What are the big challenges that your enterprise faces?

Time is a big challenge – making sure that the time our volunteers spend working with clients is effective, and that our management team are able to volunteer around their day jobs, that we have time to look at the bigger picture. We’re managing well so far, but it’s an area that we keep a close eye on.

In your current role what significant learnings have you had?

I’ve learnt to trust in people a lot more – stepping back from the nitty gritty and let people get on with their roles. I’ve also leartn about the power of a storng network – being able to contact people for support, sharing resources and knowledge is an invaluable part of setting up an enterprise.

What advice would you give to a social entrepreneur starting out?

Make sure there’s two founders and you’re good friends with them – it really helsp to have someone to bounce ideas off, spread the workload, and to drive things forward when you’re having an off week. Also, success is often less down to intelligence and more to do with persistence, so keep doing the little things and keep doing them well – you’ll see the rewards once you’ve put persistent hard work in.

What creative idea do you have, that does not cost a bucket of money, which would kick start the social enterprise business model?

I would get someone to design a one-page guide to what a social enterprise is and make sure that everyone involved in social enterprise agrees to use that guide in their messaging around social enterprise. Their’s too much confusion about weaht a social enterprise is, but joined up messaging from all involved would ensure that our collective voices get heard a lot more widely.

What was your favourite book as a child?

Roald Dahl’s ‘Matilda’ – a classic read!

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Author Interview | June Birch | Moss Green Children’s Books

Saturday, January 23rd, 2010

Can you give us a little background about how you came to write “Everyone Can be a herO”

Every one Can be a Hero

Every one Can be a Hero

A very kind literary agent advised me to write a novel with a teenage boy eco hero.  I had been working on a series of Christian based family/teen eco-novels.
I found out early on that there were two things I couldn’t do. One was to write a story in which the girls weren’t just as strong characters as the boys and just as brave and adventurous, without having to be pretend boys.
The other was to ignore the then prime minister’s suggestion that we should go back to having more nuclear build.  I guessed I was cutting my own throat with publishers, but didn’t have any option but to make this a book in which teenagers asked their own questions about nuclear power and the legacy of nuclear waste, because it would affect their generation.

The kids in my story boycotted nuclear studies on principle, because they were already living in the aftermath of a nuclear accident, but there were things they wished they had found out. They had already learned that having friends was far more important than having things!

What inspired you to start writing children’s stories?

It sort of happened.

How do you get into the mind of a child in order to write in a way they can relate to?

I wish I knew.

What do you know now that you wish you’d known when you started writing children’s books?

There are a lot of things, but perhaps it’s better that I didn’t.

What advice would you give someone who is thinking of becoming an author?

I don’t feel qualified to answer this, but if you’re prepared to take rotten advice: Don’t follow the trend. Write what is important to you and in a way that you think you should, without forgetting that some else is going to read this and that, hopefully, they are going to enjoy reading it…….But be realistic….and this is hard…you are unlikely to appeal to everyone…..so even if one person doesn’t rate it, there are probably loads of others who do, so don’t give up.
One of the best moments, I think, is when you first discover that your book has been passed from one person to another and that they enjoyed reading it.

For a parent who has a child only interested in watching TV what advice would you give them to interest their child in books?

If you can, spend some time with them reading to them and without pushing it, because kids have enough to put up with, see if they can read without any problems either with eyestrain or actually reading.  I was taught using the sound of the letters first and this meant that you could always spell difficult words out sound by sound.  I was reading Shakespeare at six and enjoying it.
Kids have eclectic tastes, so have books at nose level from day one, not high away on a shelf somewhere. They may be entranced by something in an adult’s book, which bemuses you.  A child may watch television because they actually think that they are getting more out of it than the lovingly chosen books you have bought.
Finally, don’t worry!  If they know that you read books…and although most of us settle down to read when they have gone to bed, if there are books around, they will probably find something they like and will follow your example.

How would you persuade kids that green issues are important?

I’m not actually into persuasion! Give them the facts and let them make their own minds up.  However, if kids live a lifestyle which is all concrete and shop food, and this can’t always be helped, please give them a chance to grow something.  The sheer magic of seeing something grow from seed, which you have planted and watered, is still, to my mind, breathtaking.

Can you tell us about your causes or any charities you are involved with?

Pretty obviously, I’m against any more nuclear power and nuclear waste.  Mayak, Chernobyl, Church Rock and Three Mile Island are four good initial reasons why.

Can you please tell us a little bit about your dreams?

Renewable energy, clean, safe, and not causing problems to anyone, everywhere, and people eating fresh, organic, non g.m. fruit and vegetables.  Trees growing in far larger numbers and oaks planted in areas which flood.

Would you please let us know a little about what you are now working on in the area of children’s books?

Book two.  Most of the dreams are coming true, but will they be shattered?

When you were a child what were your favourite Children’s books?

There were so many! I can’t start.

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Interview: Sam Osman | Quicksilver | Moss Green Children’s Book

Wednesday, January 20th, 2010

Would you please tell us about the creative process of writing “Quicksilver”

Quicksilver by Sam Osman

Quicksilver by Sam Osman

I am a documentary maker and the idea for Quicksilver was born partly out of a TV series I worked on years ago called House Detectives, where a team of experts would trace the history of an ordinary home as far back in time as they could. On one occasion, they discovered that the fences around one house and garden actually defined a bronze age boundary.  That got me thinking about the ancient worlds that lie beneath even the most ordinary of places. So the premise of my book is that the common in a very ordinary London suburb is in fact the site of a lost stone circle.


What inspired you to start writing children’s books?

I loved reading as a child and since my own children range in age from 22 to 10 years old I have been buying and reading children’s books for a very long time. I’ve read my children some of my old favourites and also really enjoyed discovering contemporary children’s writing with them. I suppose I wanted to try to create something that would give young readers the kind of pleasure that my family and I get from children’s literature. .


How do you get into the mind of a child in order to write in a way they can relate to?

Our house is full of children most of the time. I listen to what my own children and their friends say and how they say it and chat to them about what is going on in their lives. I also think back to my own childhood and try to remember how I reacted to the world around me, but as a writer you sometimes just have to rely on imagination.


What do you know now that you wish you’d known when you started writing children’s books?

Always carry a notebook around with you and write down anything that pops into your head – a piece of plot, a snatch of conversation, a strange sight, it’s amazing how useful those notes can be and how easy it is to forget them if you don’t write them down.

What advice would you give someone who is thinking of becoming an author?

Find a place that you like working in. A corner somewhere where you feel comfortable and relaxed and can cut yourself off from the rest of the world.


For a parent who has a child only interested in watching TV what advice would you give them to interest their child in reading books?

Find out what it is they like about a certain programme and see if you can tempt them with a story with similar themes. Or if the programme is based on a book, get them the original book and then introduce them to others by the same author.

How would you persuade kids that green issues are important?

By encouraging them to be active in small ways, showing them that every light they turn off or piece of litter they recycle actually does make a difference.

Would you please tell us about your causes or any charities you are involved with?

We make a monthly donation to Oxfam and get involved with the fund raising at my children’s schools.
What are your dreams?

Like most parents I think I dream about my children’s future, wanting them to be happy and fulfilled whatever they do.
Would you let us know a little bit about what you are now working on?

I am working on the sequel to Quicksilver. It doesn’t have a title yet but it begins with Wolfie cycling back from his paper round and seeing a panther in his back yard. The neighbours think it is an escaped exotic pet but he and Tala and Zi’ib begin to suspect it is something much more sinister….

What were your favourite childhood books and why?

When I was very young I loved Paddington, Bunchy, Milly Molly Mandy and the Family from One End Street.
I really enjoyed all the works of E Nesbit and Noel Streatfield. The Secret Garden and The Little Princess and adored Moonfleet.

I like the idea of solving problems; from the everyday challenges faced by the cash-strapped family in the The Family from One End Street to the immense struggles faced by the protagonist in Moonfleet.

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Moon Rabbit | Children’s Book | Chinese Mythology | Oliver Eade

Tuesday, August 18th, 2009
Children's Book | Oliver Eade's Moon Rabbit

Children's Book | Oliver Eade's Moon Rabbit

Oliver Eade Author of Children's Book : Moon Rabbit

Oliver Eade Author of Children's Book : Moon Rabbit

Interview with Oliver Eade, author of Moon Rabbit,

Would you please help me understand what motivates you and inspires you to write children’s books?

I began writing for children after telling stories to my Texan granddaughters. I soon found I was actually writing for the child in myself. I firmly believe there is still, deep within each of us, the child we once were. Writing both for my adult self, often dark and disturbing, and for my inner child, optimistic and open to the many wonders around me, I seem to achieve a sort of balance.

How has your career as a hospital doctor influenced your writing?

My medical career has had an enormous influence on my writing, for the doctor-patient relationship is such a special one. There can be few other walks of life that give a person so much insight into the human experience. Although, as a doctor, I would never ever write about my patients or their personal stories, which, as a doctor I’ve been privileged to share, it’s the passion, the sorrow, the grief and the resilience of the human spirit I saw over all those years as a doctor that continue to inspire me. I understand how Chekhov got his own inspiration.

Can you please tell me a little bit about the creative process inMoon Rabbit?

I’ve always been fascinated by mythology, man’s first attempt at story-telling. In Chinese mythology, which stretches back over many thousands of years, I was intrigued by its amazing tales and colourful characters. I asked for a child-friendly book on Chinese mythology at Waterstone’s for my quarter-Chinese granddaughters and was told the closest thing they had was about Greek mythology … and not very childfriendly at that. So when we were staying with my Chinese sister-in-law in China in 2006, I wrote my own story about a Scottish boy and Chinese girl who find themselves in mythological China. It was an opportunity to incorporate into a fun story many of those ancient myths, and give life to a few of their wonderful characters.

I felt strongly about the use of illustrations for the story I’d created, for many children would have little idea what a Chinese dragon, the Monkey King, the Jolly Buddha etc would look like, and colour because China is such an incredibly colourful country. I loved the work of Alma Dowle, a local artist, and we worked in collaboration over the images … unusual for most young readers’ books nowadays. Maybe my photographic background has influenced my views on children’s book illustrations.

How has your Chinese wife influenced your Western based values in life / thinking and your thinking about children?

My Chinese wife has been the yin of my yin-yang journey through life over the past forty-five years, her tolerance balancing my tendency towards intolerance, her optimism an antidote to my Eeyore-like pessimism, her lively personality a check on my introspection. If it wasn’t for my wife, I’d never have delved into not only the history and mythology of China, but also her religions and philosophies, including Daoism, Confucianism, Buddhism, the beautiful poetry of the T’ang dynasty, and the wonders of Chinese art.

The Chinese, including my wife, a retired primary teacher, love their children and I’m always struck by how well children in China play together, how disciplined they appear, showing little, if any, aggression.Juvenile delinquency and yob culture do not seem to be of the same orderas seen here in the U.K. Perhaps children there feel more tolerated …more accepted for who they are.


In what ways do you think your children have benefited from having a Chinese mother i.e. a mother from “the East” than “theWest?”

My wife’s own influence in our own children’s upbringing is the chief reason behind our very special relationships with our son and daughter, and our three granddaughters. Much of my wife’s Chinese tolerance rubbed off onto our children. Also, a mixed cultural background has widened their life-experience and horizons and helped them to be more objective in their general approach
to things.

What aspects of Chinese culture / way of life do you admire?

A: Above all else, the importance of respect for the family, the stress on aesthetic values and, not least, the place of food in day to day life. As mentioned in Moon Rabbit, a polite address to an acquaintance in China is ‘have you eaten?’ Preparation of food, the balance of flavours and textures in Chinese dishes, is an art form that permeates the very soul of Chinese culture.

For a parent /parents who have a child only interested in watching TV what advice would you give them in their quest to interest their child in reading children’s books?
Sounds like the damage has already been done! Younger children need to be set time limits for TV viewing, with quality time set aside for book reading. Trying to impose these later could cause friction, battles … and even antagonism against reading. A wide variety of books should be made available for the child … like adults, children’s tastes differ. If the parents have done the right things and the child is still a reluctant reader they should encourage library visits and think about children’s book clubs. There are some helpful websites.

What advice would you give a young adult trying to make their way out into the wide world?

Learn from the experience of ot hers, and listen to what people tell you about yourself. In that way you can find out so much about your strengths and weaknesses, build on your strengths and strengthen your weaknesses.
How would you persuade kids that green issues are important andsomething needs to be done by them?

Most importantly, through the educational system, and information passed on to the future generation through parents. Already schools focus on green issues, and community-based projects, such as ‘plant a tree’, could help to make children feel involved. Perhaps there should be more BBC programmes designed to tackle green issues at a child’s level. I believe children’s book publishers and agents also have a duty to begin thinking green’.

In one ‘how-to-write-for-children’ book I read I learned that we should not attempt to teach children anything in their fiction … only entertain.What a missed opportunity to save our planet! Thankfully there’s some wonderful fiction that does teach the child about the importance of looking after our world: e.g. Isabel Allende’s teenage novel, City of Beasts in which a boy and girl strive to save Amazon Indians from greedy land-prospectors. More of that, please, if you care about the future!

Would you tell us about your causes or charities that you are involved with? Why these particular causes / charities?

A founding and committee member of the Scottish Borders African Aids Group, I am much involved with this charity which raises money for specific projects in sub-Saharan Africa to help people suffering from, or as a result of, HIV/AIDS. We only support projects in which ‘middlemen’ play no part, and several of our members travel regularly to Africa to ensure funds are spent properly and not squandered. We tend to give priority to projects that favour women and children for we feel this is the most fruitful way of tackling the AIDS epidemic. We raise about £20,000 annually through pay-roll giving, donations and events. I feel the developed world has a duty to care about Africa since many of the problems there are a result of past European imperialism and third world
debt.
•Amnesty International. Their apolitical approach to human rights has always appealed to me. In 2004 I sold off many of my late father’s artworks (he was an artist) and raised £5000 for AI. It made me proud of my old man.
•The Art Fund. I love art … and the idea of contributing to a fund tha thelps to keep some of our greatest works in the country for all to enjoy,preventing them from disappearing into the private collections of the super-wealthy.
Perhaps, you would tell us a little bit about your next publication.
Normally I am writing several things in parallel, for adults, youngadults and for children:
•My next adult novel is a crime story set in Song Dynasty China, ‘One Short of a Thousand Petals’. The daughter of a widowed provincial teacher discovers the body of her father’s merchant friend near the local monastery. Is his death somehow linked with the mysterious disappearances of girls from the local Miao community village?
•My latest teenage book, The Terminus, just completed, is an apocalyptic time-travel tale of love, intrigue and betrayal in the last few days of a submerged, twenty-third century London. • For young readers I’ve started to outline a sequel to Moon Rabbit, in which the Monkey King kidnaps Pretty Flower from Peebles to dance at his court in ancient China. It falls upon White Tiger and his friends to rescue her … a seemingly impossible task.
•I am revising my surreal comedy play, The Gap, which was recently short-listed in a one-act play competition.

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